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EDUCATION
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M.A. Art (painting), San Jose State University, San Jose,
CA, August 1982.
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A.B. English literature, University of California, Santa
Cruz, June 1972.
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University of California, Irvine, 1987-1989. Graduate study
in English literature, critical theory emphasis.
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California State University, Long Beach, 1986.
Graduate study in English Literature, ESL.
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Bryn Mawr College, 1973. Graduate study in English literature.
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The Woman's Building (Los Angeles), 1981. Feminist studio
workshop, letterpress and feminist theory.
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SELECTED SOLO EXHIBITIONS
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2010
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Biocenosis, Phinney Center Gallery, Seattle WA
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2008
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The Hazel Tree Mother, Sev Shoon Arts Center/Ballard
Works, Seattle WA
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2007
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Planet Art: The Realm of Imagination and Everyday
Artists, Janovec Studio Gallery, Portland OR
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2004
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Resilient Topography, Bon Macy's Gallery, Seattle
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2003
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The Topography of Resistance, Gallery One, Ellensberg
WA
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Land Use: Maps of Least Resistance, Pioneer
Square Healing Arts Gallery, Seattle
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2002
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Salmon Resistance/Resilience, Auburn City Hall
Gallery, Auburn WA
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2001
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Contested Terrain, Pioneer Square Healing Arts
Gallery, Seattle
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2000
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The Biocenological Net: An Alchemical Treatise,
Ohlone College, Fremont, California
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Penelope's Web and other Tales of Gaia, University
Unitarian Church, Seattle
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1993-4
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The Landscape Tale, 911 media arts center, Seattle
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1988
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Apocalyptic Visions: Scrolls Surviving a Fearful
Age, Ohlone College, Fremont, California
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1987
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Apocalyptic Visions, University of Wisconsin,
Marshfield
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1985
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A Journey Within-An Environmental Codex Installation,
Intersection Gallery, San Francisco, California
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1981
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A Journey Within, Art Department, SJSU (master's)
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1979
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Demythifying the Creative Process, Art Department,
SJSU
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Mural Studies and process , President's Office,
SJSU
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COMMUNITY INSTALLATIONS & PROJECTS
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2010
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Pleasures of the Garden: visualizing the Song of Songs, St
James Cathedral Chapel, Seattle WA, curating exhibition
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2007
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Syndicalism: The Art of Tend & Befriend,
curating exhibition, Washington State Convention and Trade
Center, Seattle WA
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2004
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City of Ladies and Pleyn Delite, installation/performance
with Medieval Women's Choir, Seattle
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2002
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Flowing Salmon Shrine, installation, Piper's
Creek Watershed Celebration, Carkeek Park, Seattle
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2001
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Approaching Biocenology: Meditations on the
Wild, installation, White Sturgeon Gallery, City of Vancouver
Water Resources Education Center, Vancouver, WA
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1999
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Re: Seeding Gaia--Paintings in Flow, City of
Vancouver Water Resource Education Center, Vancouver
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1997
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Flowing Salmon Shrine, Piper's Creek, Carkeek
Park, Seattle
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Watershrine: We all live in the Watershed, installation,
Edmonds Community College, Edmonds, Washington
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1996
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Watershrine..., installation, Arbor Day &
Resource Fair, Carkeek Park
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1994
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Endangered Species, Metro bus shed in collaboration
with students from Lake Forest Park School, Lake Forest Park,
Washington
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Speculations: Urban Sustenance from Agriculture:
An Alchemical Treatise, for the Seattle Tilth Symposium, Sustaining
the City, Seattle Central Community College
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Watershrine..., Salmon Homecoming, Seattle Aquarium
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1991
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Whispers in the Dark in Illuminations, Museum
of History and Industry, Seattle
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COMMISSIONED WORKS & AWARDS
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4Culture, Art Projects Award, King County, Washington, 2014
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Award Guest of Gwangju Branch Korean Fine Arts Association
and International Women’s exhibition, Gwangju, 2014
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Award Guest of Gwangju Branch Korean Fine Arts Association
and International Women’s exhibition, Gwangju, 2012
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Guest of Cultural Sensibilities women artists of Daegu and
Gwangju, 2011
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4Culture Special Projects Award, King County,
Washington, 2007
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Artist-in-residence, North Cascades National
Park, Washington, 2006
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Kathe Kollwitz Award, Northwest Women's Caucus
for Art, 2001
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Finalist, Salmon in the City, Seattle, 2000
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Public funds, METRO, Seattle, 1994
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Public and private funds, Museum of History
and Industry, 1991
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Public and corporate funding, Bumbershoot, 1990
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NEH funding for research in art history, 1985-87
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Private Commissions 1982-85, Los Angeles
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Mural: Lay Women Healers in Medieval Europe,
SJSU Student Health Center 1979
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Mural for the Nursing Faculty, SJSU, 1980
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Kathryn Ull Carr Scholarship, SJSU, 1979, 1980,
1981
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SELECTED GROUP EXHIBITIONS
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2014
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Cultural Sensibilities Gallery Row [Rawoo], Gyeongju, Korea
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Garden of Flame: International Women’s Art Exhibition,
Gwangju Folk Art Museum Gallery, Gwangju, Korea
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Gwangju Peace Festival, Jukwon Gallery, Gwangju
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Pressing & Pulling: Greetings from Pulp & Deckle,
c3:initiative, Portland. OR
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We’ll Remember: an online exhibition for victims of
Sewol, curated by Tak Lee Hye-Seong
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Coal, Anchor Art Space, Anacortes, WA
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Ecolibrium: WCA Eco-Art Caucus presentation, Women’s
Caucus for Art national conference, Chicago, IL
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2013
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PCPA Spotlights OWCA, Portland Center for the Performing
Arts, Portland
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little x little: Miniature Print Exhibition, Columbia City
Gallery, Seattle, WA
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Petroleum Paradox: For Better or Worse, Narrows Center for
the Arts, Fall River, MA
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2012
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Lights of Women: International Women’s Art Exhibition,
Gwangju Museum of Art Annex Geumnamro Gallery, Gwangju, Korea
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extended outlook: artists take on weather, Anchor Art Space,
Anacortes, curator Ron Glowen
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Petroleum Paradox: For Better or Worse, Denise Bibro Fine
Art, New York, NY
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NorthSouthEastWest, University House, Seattle, curator June
Sekiguchi
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2011
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Mapping Experience, curated by Lou Cabeen, The Gallery of
Bainbridge Arts and Crafts, Bainbridge Island
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Korean American Russian Women Artists: Cultural Sensibilities
V: Great Honor to Madeline Meza Janovec, Kyungbook University
Art Museum, Daegu, Korea
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Korean – American – Russian Women Artists: Cultural
Sensibilities, Gallery Row, Gyeongju, Korea
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International Women’s Art Exhibition: Korean, American,
Russian Women Artists, Gwangju Museum of Art Annex Geumnamro
Gallery, Gwangju, Korea
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2010
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Her Presence in Colours XI, Littman Gallery,
Portland State University, Portland, OR
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GeoSapiens II, Two Wall Gallery, Vashon, WA
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Social Injustice, The Gallery at Tacoma Community College,
Tacoma WA
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2009
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Korean and American Women Artists: Cultural
Sensibilities IV, Littman Gallery, Portland State University
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GeoSapiens, Two Wall Gallery, Vashon, WA
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Feminist Art Exhibition, Tacoma Community College,
Tacoma WA
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2008
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Feminist Ecology: Women and the Earth, Koehnline
Museum of Art, Oakton Community College, Des Plaines, IL
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Above and Below, University House, Seattle,
curator Charlotte Beall
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Seattle Print Artists, University House, Issaquah
, curator Charlotte Beall
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2007
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Tribute to Tee A. Corinne, Janovec Studio/Gallery, Portland
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2006
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Through Women's Eyes, New Kyungbook Art Museum, Kyungbook
University, Daegu, Korea
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Going to Daegu Korea, Janovec Studio/Gallery,
Portland
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Paper Politics, 5+5 Gallery, Brooklyn, NY
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2005
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Paper Politics, Phinney Neighborhood Center,
Seattle WA
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2003
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Home-Land Port Angeles Fine Arts Center, Port
Angeles WA
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2002
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One Year Later: Artists Respond to World Events,
Hunter Art Gallery, Seattle Central Community College, Seattle
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Natural Processes, Dorothy O'Brien Cancer Lifeline
Center, Seattle
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2001
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Sev Shoon Arts Center, (Ballard) Seattle
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Seattle Art Museum Rental/Sales Gallery, Seattle
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1998-9
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The View from Here: One Hundred Artists on the
Centennial of Mt. Rainier National Park, Seafirst Gallery,
Yakima Valley Museum, Museum of Northwest Art, Mt. Fuji, Japan
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1996
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From Here to There, Bumbershoot Arts Festival,
Seattle
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1995
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Agents of Change: New Views by Northwest Women,
Washington State Convention and Trade Center, Seattle
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1993
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Con-texts: Identities and Environments, OK Hotel,
Seattle
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Flyways, traveling exhibition, Cunningham Gallery,
University of Washington; Monterey; Hawaii
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1991-3
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cross currents, traveling exhibition, Selby
Gallery, Ringling School of Art and Design, Sarasota, Florida;
Oregon School of Arts and Crafts; University Art Gallery,
California State U, Hayward
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1991
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Collaborators, Tacoma Art Museum, Tacoma, Washington
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1990
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Pacific Rim Bookworks, University of California,
Santa Barbara
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Dreaming the Earth Whole, collaborative installation,
Bumbershoot Arts Festival, Seattle Center
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1989
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A Book in Hand, Arvada Center for the Arts,
Arvada, Colorado
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1987
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Reflections on Survival, The Woman's Building,
Los Angeles
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Bookworks: Art From the Page, Salem Art Center,
Salem, Oregon
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Undercover: Women's Books (Passages: Survey
of Women Artists 1945-present), Fresno Arts Museum, Fresno,
California
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1986
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Experimental Books, Works, San Jose
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1985
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Imagine There's a Future, Thinking Eye Gallery,
Los Angeles
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Nuclear Free Zone, Massachusetts State House,
Boston
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Many Voices/Many Visions, Brand Library Art
Galleries, Glendale, California
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1984
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Personal Visions, SOMAR Center Gallery, San
Francisco
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Artists Look at US Politics in the 1980's, Southwestern
College, Chula Vista, California
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From History to Action, Woman's Building, Los
Angeles
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1983
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Target L.A., Pasadena, CA
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1982
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Other Species, Gallery 1:16, Los Angeles
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1981
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Our Connecting Link, Works, San Jose
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ONLINE RESOURCES
PUBLICATIONS
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Cover art, Alburnum of the Green and Living
Tree, Lara Candland, Buffalo NY: BlazeVox Books, 2010.
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Cover art to illustrate compact disc recording,
Laude Novella, Medieval Women's Choir, 2009
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Cover art to illustrate compact disc recording,
O Rubor Sanguinis, Medieval Women's Choir, 2006.
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Catalogs
Garden of Flame, 2014 International Womens Arts Festival,
Gwangju Folk Art Museum, Noh Jung-Suk, Curator
Lights of Women: 2012 International Women Arts Exhibition,
Gwangju Museum of Art Geumnamro Metro Gallery, Noh Jung-Suk,
Exhibition Director
Petroleum Paradox: For Better or For Worse, Women’s
Caucus for Art, Denise Bibro Fine Art, Eleanor Heartney, juror,
New York NY, 2012
Momentum, 2012 National Exhibition, Women’s Caucus
for Art 40th Anniversary, Los Angeles Art Association, Gallery
825, Rita Gonzalez, juror, Los Angeles, CA, 2012
Cultural Sensibiilties V: Korean, American, Russian Women
Artists. Great Honor to Madeline Meza Janovec,
Kyungbook University Art Museum, Daegu, Korea, 2011
International Women Artists: Korean, American, Russian
Artists, Gwangju Branch of Korean Artists Association,
exhibition catalog for Gwangju Art Museum Annex Geumnamro
Gallery, 2011
Her Presence in Colours IX: International Women Artists:
Self-Portraits, Malaysia, 2010
Cultural Sensibilities IV, Littman and White Gallery,
Portland, OR, 2009
Feminist Ecology: Women and the Earth, Koehnline Museum
of Art, Des Plaines, IL, 2008
Love Mother Earth, Simon Fraser University Print exchange,
curator Annie Ross, Vancouver, BC, 2007
Cultural Sensibilities III: Through the eyes of women,
Kyungbook National University Gallery, Daegu, Korea, 2006
Paper Politics, curator Josh McPhee, Seattle Print
Arts, 2005.
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Art [about the artist's work]
Ressler, Susan, Women Artists of the American West,
McFarland Press, 2003.
Implode the Dome: A Modest Speculation in Art Papers
(Atlanta Georgia), May/June 1997, volume 21, number 3.
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Art History [written by the artist]
Women Artists in the United States: a selective research
and resource guide on the fine and decorative arts, 1750-1986,
edited by Paula Chiarmonte, Boston: G.K. Hall, 1990. I researched
the history of women’s performance in the US.
The Amazing Decade: Women’s Performance Art in America,
1970-1980, edited by Moira Roth, Los Angeles: Astro Artz,
1983. I contributed to the chronology and the bibliography.
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LECTURES DELIVERED
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[forthcoming 2015] [working title] Bojagi:
contemporary approaches in domestic Korean and international
art: a report from a Jeju conference and the penninsula, venue
TBA, Seattle WA
Feminist and Women’s Art: Similarities and Differences,
Kyungbok University Art Department. [seminar]
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Feeding
Trees, http://odaraia.livejournal.com/
Social Injustice, Tacoma Community College, 2010 [panel]
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Patterning and Biocenology: A residency in North
Cascades National Park, SevShoon/Ballard Artworks, Seattle,
WA , 2008
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Feeding Trees: Working in the Envrionmentalist
and Social Activist Traditions, Janovec Gallery, Portland,
OR 2007
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The Relevance of Art to Diversity: An Artist's
Approach to Rethinking History and mural rededication, San
Jose State University, San Jose, CA 2007
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Working in the Environmentalist Tradition, Sedro
Woolley, Concrete, Washington, 2006
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Patterning and Biocenology: Situating My Work
in the Tradition of Environmentalist Visual Art, University
of Washington, Tacoma, 2005
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The City of Ladies, Medieval Women's Choir,
Seattle WA, 2002
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Northwest WCA, Seattle, WA, 2001
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Smith Art Center Ohlone College, Fremont, CA,
2000 (videotaped)
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WCA National Conference, Seattle, 1993 (Panel
moderator)
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Women Painters of Washington, Mercer Island,
WA, 1991
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SWCA and NW Women's Studies Ass'n. Conference,
Pullman WA, 1991 (panel)
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Department of Sociology, University of California,
Irvine, 1988, 1989
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Ohlone College, Fremont, CA, 1988
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Art Department University of Wisconsin, Marshfield,
1987
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Cabrillo College, Aptos, CA, 1981
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Department of Social Sciences, Womyn's Week,
SJSU, 1981
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Woman's Building, LA, 1981
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POSITIONS HELD
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Instructor, Art, Feminist Theory and Criticism,
Art History, Women's Art History, Computer-Aided Design, several
Washington and California locations, 1982-96
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Instructor, English, Art History, Seattle Central
Community College, 1999
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Instructor, English, Shoreline Community College,
1999
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Instructor, English, University of California
Irvine, 1987-1989
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Instructor, Art History, Santa Monica College,
1983-4
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Instructor, English, Santa Monica College, 1982-1987
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Gallery Coordinator, Curator, Instructor, El
Camino College, Torrance, California, 1981-2
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Gallery Coordinator, Preparator, Montalvo Center
for the Arts, 1979-1981
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Preparator and Interpretor, Sempervirens Fund,
Big Basin State Park, 1980
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Conference Coordinator, Women's Center San Jose
State University, 1979-1980
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Graphics & Publicity Consultant, University
Services Agency, Santa Cruz, California
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Graphics & Publicity Consultant, University
Services Agency, Santa Cruz, CaliforniaPastry and cake maker,
Staff of Life Bakery, Santa Cruz
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Parent of (currently) 26 year old person
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COLLECTIONS
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Kyungbook University Art Museum, Daegu, Korea
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North Cascades National Park, Washington
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Lou Harrison Collection, Aptos, California
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Swedish Medical Center, Seattle, Washington
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Student Health Center, San Jose State University,
San Jose
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Cedar River Clinic: Feminist Women’s Health Center,
Renton, Washington
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University of Washington Medical Center Art
Collection, Seattle
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National Women’s Museum of Art, Washington,
DC.
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Private collections
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PROFESSIONAL ORGANIZATIONS
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College Art Association 1981-present
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Women's Caucus for Art 1980-present (chapter president, Seattle
WCA, 1995-6)
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Seattle Print Arts 2001-present
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Washington State Arts Alliance 1999-present
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California Confederation of the Arts 1981-1987
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Art Associations of the South Bay 1980-81; Non-Profit Gallery
Association (N. California) 1980-81
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REVIEWS
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Alice Dubiel directly commented on wilderness
designation itself as a mask for our destruction of the earth.
Her Views and Reviews: A Wilderness Tale exposed the exploitation
of nature with pithy quotes and kitsch images.
—Susan Platt, Art Papers, May-June 1999
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There's a new look at the old in Alice Dubiel's
complex and poetic piece Views and Reviews: A Wilderness Tale,...
[which] alludes to the conflict between civilization and nature.
—Ron Glowen, The Herald [Everett WA], January 8, 1999
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Alice Dubiel is clever: in her installation
at 911 Media Arts, she wrapped what was really a polemic in
engaging dress. Her five window panels, like so many holiday
window displays, drew in curious passers-by.... Dubiel used
the panels to present visually her thesis that our view of
the landscape, and of nature, is inevitably colored by the
same desires for control and order that drive our relationship
with the urban realm.
—Christopher Hawthorne, Seattle Weekly, January 26,
1994
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Alice Dubiel addresses the issue of nuclear
threat and environmental toxicity with a series of exquisite
watercolors that combine the fluid delicacy of Persian miniatures
with the format of medieval illuminations.
—Claire Accomando, Artweek, November 3, 1984
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Alice Dubiel, using the scroll format of traditional Eastern
painting in Apocalyptic Visions, connects the ancient burning
terror of volcanic eruption to nuclear holocaust.
- Judith Margolis, Artweek, January 9, 1988.
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A positive historical note is sounded by Alice
Dubiel's painting, Lay Women Healers in Medieval Europe, which
calls to mind the fact that women have also been able to heal
and have often been sisters to one another.
—Louise Moore, Artweek, June 9, 1984
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